![]() And the 2019 film The Lighthouse went even taller with a ratio of 1.19:1 to evoke the classic look of box cameras from the 1890s. Joel Coen’s The Tragedy of Macbeth is shot in black and white in a tall 1.33:1 ratio. More movies are also experimenting with uncommon aspect ratios. And while Derrickson initially clarified on Twitter that the Imax scenes weren’t shot with home viewing in mind, he told me, “I’ve recently watched the IMAX 3D version on my 55" TV screen, and I think the switch is much more noticeable, but the power of opening up the frame and giving the home viewer a significantly larger image for the major set pieces works well.” It draws the focus to his intense facial expressions.ĭerrickson's own superhero movie, Doctor Strange, used a similar technique for many of its action scenes. Initially, Nicholson is framed widely enough that you can see the top of his head, but as soon as the camera cuts to him to deliver the line, “You can't handle the truth!” the shot is close enough to cut off the top of his head. ![]() "You usually have to crop the hairline of the actor or actress, but there is great power in how those extreme close-ups work.”ĭerrickson offered the example of Jack Nicholson's iconic scene in A Few Good Men. “I also really love the way extreme close-ups look in 2.40," Derrickson explained. However, it's not just wide shots that can benefit from this wide frame. The red bars show how much of this frame would be cut off if it were a more typical 1.77:1 aspect ratio in the images below. For example, in Blade Runner, shots of the dystopian Los Angeles in the far distant future of … um … 2019 feel as massive as if you were looking out over the actual city. Wide shots of sprawling landscapes feel even more grand. As with any aspect ratio, there are specific benefits to this ultrawide frame. So your brain starts to associate that shape with “cinema,” even from a very young age. TVs eventually migrated to the now-common 1.77:1 standard, but if you remember watching anything that was ultrawide, it was probably a movie. And ultrawide aspect ratios like 2.4:1 have been the almost exclusive domain of movies for decades. We all have subconscious associations with the movies we grew up watching that collectively make things feel like a movie.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |